Sound & Style reflects a global shift in how music and fashion move together, shaping identity, influence, and cultural expression across cities and scenes. From London to Africa to Atlanta and beyond, DJs are at the center of that exchange, translating sound into style and presence in real time. As Sound & Style continues, we take a closer look at the DJs defining how music and style intersect across scenes and cities.
As we continue in the series, today, we spotlight Kenny Lartey, a New York–based DJ whose sets span genres, shaped by a global ear and a deep connection to both American and West African music. A first-generation Ghanaian American, his approach reflects a balance of influence and perspective, bringing together diverse audiences through carefully curated selections that prioritize energy and range. From members clubs to art spaces and beyond, Lartey’s presence continues to resonate across creative communities.:
A: What separates a technically good DJ from someone people remember?
K: “Emotional intelligence. Knowing when and when not to switch it up on the crowd, dropping the right song at the right time, reading body language...all the things that can’t be taught. The best DJs I know personally might not know every button and knob on the controller, but they can get in tune with the audience and vice versa. Being able to do that puts a DJ in a whole different league ahead of one who’s good on paper. As things have become more and more shackled by tech’s over-optimization, these soft skills that can be developed over time with real experience of playing in front of a brand-new crowd in a brand-new space over and over again are the most valuable.”
A: How intentional are you about what you wear when you DJ, if at all?
K: “It’s becoming more intentional the further along I get into my career. At first, there was virtually no thought put into it besides either going for max com- fort for a 4+ hour set or going all out to pair an outfit with a new statement piece. Presentation matters and fashion is a vital part of that, especially as I play in more and more curated spaces. Language also mat- ters and fashion is one way to communicate or signal things. It’s always important to show up in something that is unique to me and my taste, the same way I do with the music I play.”
A: What outside of music currently influences how you present yourself creatively?
K: “Meeting someone new at an Ilias Anwar event, reading Carlos Valladares’ latest piece, getting to go to other DJs sets like Miss Monroe and Omar SB. In general, just seeing these people that are my friends/ collaborators work at the top of their craft and con- sistently do it well on a level that is unmatched in the greatest city in the world. With all the distraction that also comes with living in New York City and modern life in general, it’s deeply inspiring to be around them and know that the intentionality and specific curation we are all bringing to our work means something to us and brings people together.”
A: Right now, what feels most important for people to understand about your work?
K: “I’m moving towards playing in certain type of spaces, both physically and sonically, that push me even more to bring my A game. The sing-a-longs and throwback tracks aren’t going too far but playing for people who want to discover new artists is a top priority for me. I’m blessed to be in a position to able to do this and have to do it for those who take their time out to come see me play. Arriving with an open ear ready for new music and your best outfit will be the ideal way to get the most out of the night.”
Explore the full Sound & Style feature in Issue 008, now available in print and digital, and spend time with the DJs shaping culture across sound and style. Follow and support Kenny as she continues to build her presence, and tap into the Spotify soundtrack to experience the artists and sounds moving through each DJ’s world.
